Tuesday, November 25, 2008

"Contempt"

Paul does not realize that on multiple occasions he objectifies his wife Camille. In Camille's perspective, Paul uses her to receive a pay increase and obtain job security from the American producer that hires him. Paul insists that Camille drives with the producer to his cottage and he will arrive by taxi. This makes Camille feel as if Paul was renting her out for the benefit of his career. However, Camille does not communicate her feelings to Paul, instead she plays mind games and does not tell Paul what is bothering her. She acts strange and dramatic, but never tells Paul her feelings. She is incredibly indecisive on whether or not she wants Paul to take the movie. She initially tells him no, but when Paul mentions paying off the apartment she agrees with the decision to say yes to the movie. She changes her mind multiple times and finally claims she supports Paul's career and wants him to take the job. On the film set, Paul again sends Camille to be alone with the American producer. This time Camille kisses the producer in front of Paul, apparently to try and hurt him as much as he hurt her. Before she runs off with the producer (for good), she finally explains to Paul his wrong doings. She claims that the worst part of Paul's actions were the fact that he did not know what he was doing.

As a male I did not see Paul's actions as threatening or demeaning. I felt that he simply had trust in his wife; he did not demand that she went with the producer, he simply agreed when asked. Until I was given an explanation I did not know why Camille was acting as if she did not love Paul. I could not understand how he had wronged her and was looking forward to the explanation.

This is one of Godard's most honest films that I have watched thus far. In my opinion, it's honesty was comical. Paul had no idea what he did wrong and Camille was so angry that she left him. This shows that most of the time men do not completely understand woman. I found it humorous because there has been many times that my girlfriend was mad at me, but would not tell me why or even admit that she was angry. The film depicted a reality that is not always seriously looked at.

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