Agnes Varda dealt with an incredibly contemporary subject matter in a still traditional time. The love triangle between Francois, his wife and the postal worker was through the majority of the film depicted as acceptable behavior. Francois' happiness and the good mood setting of the film was very eerie. His mood changed from happy to incredibly happy when he started his affair. He loved his wife, but also loved his mistress, and this worked very well for him. He was able to love both women with up most happiness. He was honest with his lover, but his wife was unaware of the affair. His conscious finally told him to be upfront with his wife and tell her the truth about his second life. Her initial reaction was incredibly progressive and open minded; as she accepted the affair as long as Francois was happy. Francois believed this reaction was honest and made love to his wife for the last time.
When he woke up he discovered she was no longer laying next to him, so he frantically looked for her. After an intense scene of Francois' search, we discover that she has committed suicide in a near by pond. The film shows a brief mourning process and then cuts to Francois marrying the postal worker. It then shows Francois and his new wife doing the exact same things him and his previous wife did. Him and the children seemed to have forgotten her and simply replaced her. These last scenes made me incredibly uncomfortable and also left me wondering how one could simply replace the woman they love with the woman that destroyed her.
I believe this was a statement by Agnes Varda protesting the mentality of society at the time. This depicted that woman were simply objects of pleasure and completely replaceable. The eerie exposure and use of death shows the ridiculous and often dangerous mentality of not treating women as an equal. This film was incredibly done.
Tuesday, November 4, 2008
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